Updated: Feb 12
- Compiled by Sukanya Sharma
The Shed is a nonprofit cultural organisation that commissions original works of art, across all disciplines, for all audiences.
From hip hop to classical music, painting and sculpture to literature, film to theatre and dance, The Shed brings together leading and emerging artists and thinkers from all disciplines under one roof. The Shed’s Bloomberg Building—a remarkable movable structure designed by Diller Scofidio + Renfro, Lead Architect, and Rockwell Group, Collaborating Architect—physically transforms to support artists’ most ambitious ideas. Committed to nurturing artistic invention and bringing creative experiences to the broadest possible audiences, The Shed, led by Artistic Director and CEO Alex Poots, is a 21st-century space of and for New York City.
This beautiful structure that houses exchange of culture and ideas, is dedicated to commissioning, developing, and presenting original works of art, across all disciplines, for all audiences.
On April 5, it hosted the world premier of Soundtrack of America. The five-night concert series, conceived and directed by Steve McQueen with a creative team led by Quincy Jones and Maureen Mahon, celebrates the unrivalled impact of African American music on contemporary culture with performances by a new generation of artists.
In the following days, this New York City’s new arts centre has also showcased new work by artist Trisha Donnelly and the world premiere of Reich Richter Pärt, an immersive live performance installation from iconic artists Steve Reich, Gerhard Richter, and Arvo Pärt, featuring new works by Richter and a new composition by Reich. The world premiere of Norma Jeane Baker of Troy, a specially commissioned spoken and sung dramatic work by poet and scholar Anne Carson, starring Ben Whishaw and Renée Fleming, directed by Katie Mitchell was also performed.
Dan Doctoroff, Chair of The Shed’s Board of Directors said, “The Shed is doing something very different: a new idea of a cultural institution; an unprecedented building in a new part of the city; a new team commissioning all new work. It is uniquely of New York, dedicated to the pursuit of boundless artistic ambitions across all art forms for all audiences.”
In recognition of a $25 million gift from Kenneth C. Griffin, The Shed announced earlier this week that its 11,700-square-foot, 500-seat theatre has been named The Kenneth C. Griffin Theater. “The Shed will create new opportunities for artists and audiences to join together in unique experiences. Over a decade in the making, this space reflects New York’s determined commitment to fostering artistic expression and the idea that the arts should be accessible to everyone,” said Griffin. Including this gift, The Shed has raised $529 million toward its capital campaign goal of $550 million, which includes building costs, organisational start-up expenses, and support for the creation of new work.
Tickets and Operating Hours Admission to exhibitions at The Shed is $10, which includes entry to all exhibitions on view that day (admission is free for children and teens 18 years and under, and for Shed Members at the Builder level and above). Ticket prices for live productions vary by show.
Tickets for the first half of the opening season (April–August 2019) are available now at TheShed.org and via phone at (646) 455-3494. Tickets for fall-winter programs will go on sale later this year.
Exhibition hours are Sunday, Tuesday, and Wednesday from 11 am to 6 pm; Thursday, Friday, and Saturday from 11 am to 8 pm. Times for live productions vary by show.